Back in the Zeroes, Fuyuko Matsui, along with one or two others (Kumi Machida, Hisashi Tenmyouya...) presented an interesting challenge to the slide of Japanese contemporary art into the sugary abyss of neotony, infantilism, and the “kawaii!!!” typified by the likes of Takashi Murakami, Yoshitomo Nara, etc. Artistically talented, she also had the “media…
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